JOSE MARIA ZARAGOZA
José María V. Zaragoza’s place in Philippine architecture history is defined by a significant body of modern edifices that address spiritual and secular requirements. Zaragoza’s name is synonymous to modern ecclesiastical architecture. Notwithstanding his affinity to liturgical structures, he greatly excelled in secular works: 36 office buildings, 4 hotels, 2, hospitals, 5 low-cost and middle-income housing projects; and more than 270 residences – all demonstrating his typological versatility and his mastery of modernist architectural vocabulary.Zaragoza graduated from the University of Santo Tomas in Manila in 1936, passing the licensure examinations in 1938 to become the 82nd architect of the Philippines. With growing interest in specializing in religious architecture, Zaragoza also studied at International Institute of Liturgical Art (IILA) in Rome in the late 1950s, where he obtained a diploma in liturgical art and architecture. His training in Rome resulted in innovative approaches, setting new standards for the design of mid-century Catholic churches in the Philippines. His prolificacy in designing religious edifices was reflected in his body of work that was predominated by about 45 churches and religious centers, including the Santo Domingo Church, Our Lady of Rosary in Tala, Don Bosco Church, the Convent of the Pink Sisters, the San Beda Convent, Villa San Miguel, Pius XII Center, the Union Church, and the controversial restoration of the Quiapo Church, among others. Zaragoza is a pillar of modern architecture in Philippines buttressed by a half-century career that produced ecclesiastical edifices and structures of modernity in the service of God and humanity.
José María V. Zaragoza carved out an illustrious career in Philippine Architecture from 1938 until he died in 1994. In his lifetime, Zaragoza set himself on a mission to build landmark churches, Catholic centers, as well as some of the country’s premiere secular, institutional, and commercial residential structures.
ROLANDO S.TINIO
Rolando S. Tinio, playwright, thespian, poet, teacher, critic and translator, marked his career with prolific artistic productions. Tinio’s chief distinction is as a stage director whose original insights into the scripts he handled brought forth productions notable for their visual impact and intellectual cogency. Subsequently, after staging productions for the Ateneo Experimental Theater (its organizer and administrator as well), he took on Teatro Pilipino. It was to Teatro Pilipino which he left a considerable amount of work reviving traditional Filipino drama by re-staging old theater forms like the sarswela and opening a treasure-house of contemporary Western drama. It was the excellence and beauty of his practice that claimed for theater a place among the arts in the Philippines in the 1960s. Aside from his collections of poetry (Sitsit sa Kuliglig, Dunung – Dunungan, Kristal na Uniberso, A Trick of Mirrors) among his works were the following: film scripts for Now and Forever, Gamitin Mo Ako, Bayad Puri and Milagros; sarswelas Ang Mestisa, Ako, Ang Kiri, Ana Maria; the komedya Orosman at Zafira; and Larawan, the musical.
Rolando (Santos) Tinio is famous for being a playwright, poet and translator. He was born in Tondo. Date of birth: March 5, 1997. Died in Manila in on July 7, 1997. Belonged to the anti-Romantic group of Tagalog poets known as the Bagay (Object) group who describe things and avoid giving interpretations. The Grandmother describes a senile, cranky grandmother; this poem gives a glimpse into the ways of a typical Filipino household at dusk when the Angelus prayer is announced.
NATIONAL ARTIST FOR ARCHITECTURE & THEATRE ARTS
